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SHOWNOTE #6A
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The immediate and improvised nature of the COVID shutdown in the spring of 2020 did not only bring to light systemic justice problems, but created new ones too. One such is the accelerated digitization of the judicial system. This session of the New Spaces of Justice workshop addresses real-time challenges faced by the courts and its users and rethink analog and virtual court infrastructures, buildings, symbols and artifacts through a human-centered lens.
Part 1 The Case for Law, Architecture & Paradisciplinary Design
Part 2 Five Case Studies
Part 3 Virgil Abloh in conversation with Clemens A. Landau, the presiding judge of Utah’s Salt Lake City Justice Court
New Spaces of Justice multidisciplinary workshop between Nóra Al Haider (the Legal Design Lab at Stanford University), Oana Stănescu (OS Studio) and Virgil Abloh.
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Televised Radio Network presents “Jazz Hours”
Saturday, April 11th, 2020
10am New York / 3pm London / 4pm Paris / 11pm Tokyo
Listen live via: https://www.instagram.com/virgilabloh
Virgil Abloh
American, born 1980
“Dollar a Gallon” III, 2019
Mixed media, Corten Steel Coated
Private collection
Lecture in Chicago with Hamza Walker for 3rd year Master of Fine Arts course at the Art Institute Chicago. Topics centered around the mode of art production irrelevant to final space.
Drawing lines from Detroit Techno to Miles Davis and Travis Scott, while using my exhibition titled “Figures of Speech” as the backdrop for the discussion.
PART 1:
PART 2:
PART 3:
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MAKING THE ORDINARY EXTRAORDINARY “OFFICE SUPPLIES” C/O VIRGIL ABLOH & JACOB & CO.
The new “Office Supplies” collection brings together the visionary talents of Jacob Arabo, founder of Jacob & Co., and Virgil Abloh.
Deciding to reimagine the paperclip highlights the subtle significance of an everyday item and transforms it into a contemporary piece of fine jewelry.
A simple yet modern representation of nostalgia, the paperclip is reminiscent of youthful creations when paperclips became chains, bracelets, and more. Through the “Office Supplies” collection, Mr. Arabo and Mr. Abloh transform simplicity into luxury by reinterpreting a universal past time through high craftsmanship and exceptional materials such as white and yellow diamonds.
Efflorescence: the collection’s name seems paradoxical for what appears at first to be solid blocks of reality to sit, gather, and look at oneself. Beyond the sharp fact that it is always fruitful to deal with paradoxes, this botanical term reflects the production method of the pieces. Like these wildflowers that fit into the interstices and corners of urban space, the holes, formal accidents, and graffiti that cover and personalize— in different ways each time—the concrete surface offers a visual and emotional texture to recharge our immediate environment: a landscape where the rigidity of structures and urban planning meets the randomness of organic growth and human appropriation and mark-making.
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